In the copyright dispute between Saregama India Limited and the renowned music composer Mr. Ilaiyaraaja, the Delhi High Court granted an interim injunction in favor of Saregama. The Court held that while a composer holds the copyright in the “musical work” (the melody/composition), the producer of a cinematograph film is the first owner of the copyright in the sound recordings and the soundtrack. Consequently, because Saregama had acquired these rights through valid assignment agreements from the original film producers, Mr. Ilaiyaraaja was restrained from independently exploiting or broadcasting these sound recordings on digital platforms like Amazon Music, Apple iTunes, and JioSaavan.
- Background of the Case
The plaintiff, Saregama India Limited, filed two suits seeking to restrain Mr. Ilaiyaraaja and other defendants (including Black Madras Films) from infringing its copyrights in musical works, literary works, and sound recordings from various cinematograph films. Saregama claimed ownership of these works through assignment agreements executed with the original producers of the films. The dispute arose when Mr. Ilaiyaraaja allegedly began uploading these songs to online streaming platforms, claiming copyright ownership for himself.
- Key Legal Issues
- Ownership of Sound Recordings: Whether the composer of the music or the producer of the film holds the copyright in the sound recordings and the “song” as it appears in the film.
- Validity of Assignment Deeds: Whether the assignment agreements between the producers and Saregama were valid and whether they were contingent on the consent of the artists.
- Procedural Objections: Defendants raised issues regarding misjoinder of causes of action, claiming 134 films were bundled into one suit, and raised a limitation defense, arguing the plaintiff knew of the alleged infringement since 2017.
- Arguments of the Parties
- Mr. Ilaiyaraaja (Defendant): Argued that as the composer, he is the “author” and owner of the musical works. He contended that the assignment agreements were “contingent contracts” because the producers had not obtained written consent from all artists, making them unenforceable. He also argued that the plaintiff had acquiesced to his use of the music on YouTube since 2012.
- Saregama (Plaintiff): Relied on Section 17(b) of the Copyright Act, 1957, asserting that the producer is the first owner of all underlying works in a cinematograph film unless a contract exists to the contrary. They provided evidence of royalty payments made to Mr. Ilaiyaraaja through copyright societies (IPRS), which they argued showed his acknowledgement of their ownership.
- Court’s Observations and Reasoning
- Separation of Rights: The Court clarified that musical composition and cinematograph films (which include sound tracks) are “two separate and distinct works”. Under the law, the producer is the owner of the sound recording incorporated into the film.
- Composer’s Limited Rights: While Mr. Ilaiyaraaja is the author of the “musical work” (the composition), this right is limited and does not extend to the sound recordings or the lyrics (which belong to the lyricist). Therefore, he could not assign rights he did not own to third parties.
- Prima Facie Evidence: The Court found that Saregama had established a prima facie case of ownership through decades-old assignment deeds and “Inlay Cards”. The Court also dismissed the procedural objections, noting that under the Code of Civil Procedure, the unison of several causes of action against the same defendant is permissible.
- Final Decision and Directions
The Court concluded that the balance of convenience lay with Saregama. It issued the following directions:
- Interim Injunction: Mr. Ilaiyaraaja is restrained from broadcasting or communicating the songs listed in the suit through any online music platforms.
- Vacation of Stay Denied: The applications filed by the defendants to vacate the previously granted ex-parte ad-interim injunctions were dismissed.
- Absolute Order: The interim injunction against Black Madras Films regarding the use of the song “Naguva Nayana” in the film Mask was made absolute.
2026 DHC 5216
Saregama India Limited V. Black Madras Films & Ors. (D.O.J. 01.07.2026)



